May 4, 2026
AD Small Spaces: This 550-square-foot Pune office is a warm haven in rust terracotta

Great design is more than just aesthetics; it’s about crafting spaces that echo the personalities and passions of those who inhabit them. As Charles Eames so aptly put it, “The details are the design.” This philosophy was brought to life in a 550-square-foot Pune office, designed for Varun and Riya Shah, a dynamic couple with diverse professional pursuits—Varun is a developer and Riya, an event manager. To create a shared space that was both functional and clutter-free, the Shahs entrusted Ankur Kothari and Anil Poduval, principal architects and founders of Red Brick Studio, who carefully considered every detail to craft an office that would not only harmoniously blend the Shahs’ individual styles, but also provide a distinct identity to the workplace.

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Viewed from the entrance, the office reveals two stately doors leading to the director’s cabins. Crafted from solid wood and finished in sleek black Duco paint, these doors feature elegant fluted glass panels. Note the flooring design: public areas boast beige polished Italian marble, while staff and pantry areas are distinguished by warm, burnt terracotta micro-cement floors.

Yadnyesh Joshi

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Placed atop a warm, terracotta-hued micro-cement floor, the sleek reception counter—crafted from plywood carcass and finished in ash grey micro-cement—appears to float. The three uniquely-shaped lamps, sourced from Length Breadth Width, feature metal frames infused with handmade leather paper, adding a touch of organic elegance to the space.

Yadnyesh Joshi

“Being a dual functioning office, we had to ensure that the look and feel of the office felt in line with both the verticals. The eventual solution thus came about through the combination of the ivory white (for the sophistication of the developer entity) and the terracotta (for the warmth of the event management co),” explains Kothari. The dual toned (contrasting) colour theme further extended to the materials which were chosen for the project. “The flooring is a combination of beige Italian floor and a rust terracotta micro-cement floor. The furniture is either finished in open poured veneer or cladded in polished Italian marble. The walls are again, a combination of bone white lime plaster or micro-cement finished walls in rust terracotta,” adds Poduval.

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In the meeting room, the wall was made larger to accommodate full width sliding aluminium windows to foster connection with the exteriors.

Yadnyesh Joshi

Besides handing over the site, consisting of two 250-square-foot units in a commercial building, the Shahs also provided a detailed spatial requirement list. The resulting 550-square-foot space, achieved by knocking down the central wall, needed to accommodate several key areas: two independent cabins, a common workstation area, a client meeting lounge, a team discussion area, a pantry, and a reception area. Due to the tight floor plate, the architects carefully curated and designed each function to maximize space. This was achieved through multiple meetings with the clients, where high-priority areas were identified and other spaces were designed around them.

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The staff area, which is commonly used by both the companies, is minimally-designed with counter-tops and shelves crafted from plywood and finished in open poured veneer.

Yadnyesh Joshi

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The comfy chairs were customised by Wabi Sabi for this office; while the magnetic board is a bespoke creation in metal perforated sheet.

Yadnyesh Joshi

The ensuing flow of space guides visitors through an arched opening into the office, where a subtly sculpted interior awaits. The first impression is one of serene elegance, with bone-white lime plaster walls bathed in soft, natural light. A quiet drama unfolds as a series of arched elements layer together, allowing the eye to transition smoothly from one space to another. Amidst this visual harmony, the showstopping rib-vaulted ceiling (created in POP panels and suspended by an aluminium framing) takes center stage, tying the entire office together. Finished in burnt terracotta-coloured micro-topping, the ceiling’s gentle curves flow seamlessly onto the paneling and floor, creating a sense of fluid continuity.

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Varun’s cabin showcases an impressive foliage mural, a creative twist on the maximalist wallpaper trend. Crafted from moulded FRP and finished in bone-white lime plaster, it commands attention. The pièce de résistance is the desk, built from a plywood carcass and clad in beige Italian marble. Its curved silhouette is achieved through a series of vertical marble strips, meticulously moulded and polished to resemble a solid monolithic stone block.

Yadnyesh Joshi

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Riya specified her cabin to accommodate at least three guests in her cabin; and a display shelf to showcase her collection of artwork and accessories. The marble table appears solid, but is actually a clever combination of beige Italian marble cladding on a plywood carcass, finished on site. The elegant chairs in both cabins were sourced from Wabi Sabi.

Yadnyesh Joshi

An intriguing suspended solid reception table asserts its presence by subtly protruding into the central passage. In tandem with the pendant light fittings, it discreetly tucks behind the open workstation area, orienting itself towards the meeting lounge. Designed for versatility, the lounge can function as an independent space or seamlessly integrate with the work floor (for internal team discussions) when the full-height glass partition slides open. The seating arrangement exudes warmth and sophistication, featuring a 3-seater sofa with rust-coloured accents, paired with plush armchairs, all anchored by a sleek marble-inlaid coffee table.

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All the furniture here—a collection 3-seaters, casual armchairs, and the centre table with a marble inlaid top—was designed by the studio and crafted by the carpenter.

Yadnyesh Joshi

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The pantry features micro-cement walls, vitrified tile counter-tops, metal-framed shelves, and plywood and veneer-clad cabinets, blending industrial chic with warmth.

Yadnyesh Joshi

Tucked away at the rear, the director cabins are discreetly concealed behind a fluted glass veil, nestled within an elegant arcaded partition. Taking cues from the client’s young and vibrant personalities, the design team wanted the office to render a bold yet a sophisticated feel. This secluded sanctuary is where the refined trio of beige marble, open-poured ivory veneer, and lime plaster truly takes center stage. The director tables are masterful showstoppers, boasting soft, gentle curves meticulously clad in marble to evoke the appearance of carved monoliths. The arch motif is thoughtfully reprised in the niches of varying sizes, forming a bespoke backdrop for the cabins to display books, decorative objects, and customized artwork. A particularly clever detail can be found in one cabin’s corner, where a curved design element provides seamless access to the pantry, cleverly navigating an otherwise tight opening. Throughout this Pune office, task lighting is achieved through a series of COB lights mounted on a recessed magnetic track. Each light is precisely angled to meet the specific needs of its designated task area.

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